Fiat Ignis:

Let There Be Fire.

Pottery & Ceramic Art Exhibition Gallery 60 NYC x New England Wood Firing Conference

December 2-23 (Extended!)

Reception: December 2, Saturday 4PM
RSVP Recommended

Preview Starts at Noon
208 E 60th St, New York, NY 10022

Ceramic Artists: Trevor Youngberg, Frank Olt, John Reinking, Minkyung Choi, Evan Rosenthal, Zach Dunn, Riley Sean McGee, Mandy Henson Wasserman, Mike Perham, Dan Christoffel, Sophie Kang Min Yoon, Kiichi Takeuchi

Fiat Ignis: Hosted by Gallery 60 NYC in collaboration with the New England Wood Firing Conference. Highlighting the transformative power of flame,  Let There Be Fire is a group show of wood-fired ceramic artworks. A body of work made by ceramicists who believe that flame is more than a heat source; flame plays a leading role in the aesthetic narrative. We invite you to experience the captivating Anagama-energy at Gallery 60 NYC. 

“As both a practicing wood fire potter and a high school ceramics teacher, education is a driving force in my personal creative journey.

I see wood firing as a multi-layered creative process; one that commands cooperation and problem solving above all else…. unifying both the educational and creative drive within.

As the founder of the New England Wood Firing Conference, my interest lies in welcoming those of us, both experienced potters and newcomers, to our practice.

It has been a pleasure working with Kiichi in bringing this show into being. A heartfelt thank you to those of you who have chosen to participate in and support our special process.”

- From the exhibition catalogue introduction, Trevor Youngberg (November 2023)

Artists

  • Trevor Youngberg

    Trevor is a high school ceramics teacher and practicing wood-fire potter. While creative development and discovery are critical factors, fostering the development of a thriving wood-fire community in Woodbridge, Connecticut is the path he has chosen in seeking personal fulfillment. As ideas are exchanged and experiences are shared…bonds are formed and we grow together. What’s better than that?

  • Frank Olt

    Frank Olt is an artist and professor at Long Island University whose studio practice focuses on ceramics and painting. He is a former artist-in- residence at MoMA P.S.1. He studied with Bauhaus artist Rose Krebs. Olt exhibited and has collectors nationally and internationally. His commissions include all ceramic art at the 23rd & Ely subway station through the NYC Arts for Transit program and Bellevue Hospital. His work was exhibited recently in a one-person show in the Contemporary Gallery at Nassau County Museum of Art.

  • John Reinking

    John Reinking is an Associate Adjunct Professor at Raritan Valley Community College and County College of Morris and teaching artist and Ceramics Program Manager at The Center for Contemporary Art in Bedminster, NJ. As a ceramic artist his work can be found in many private collections. He is represented by Peters Valley Craft Center and Connexions Gallery in Easton, PA and he exhibits in national group shows regularly.

  • Minkyung Choi

    Min Choi, born in Seoul, Korea, is a Brooklyn-based Ceramic artist. She received her MFA in Ceramics from Kent State University and her BFA in Ceramics from the State University of New York at New Paltz, and a BA in Industrial design in Korea. She has taught as well as many studios around the USA and South Korea. She taught as an adjunct professor at the University of Akron and currently teaching at Hofstra University, 92NY, The Clay Space, and The Brick House.

  • Evan Rosenthal

    Evan, a studio potter with 40 years of experience, has honed his skills in both functional and decorative ceramics. He earned his Bachelor of Fine Arts in Art Education from Alfred University, New York State College of Ceramics in 1987, and later achieved a Master of Fine Arts from Long Island University in 1994. Throughout his career, Evan has participated in the International Ceramics Conference, such as Suwon, South Korea, where he exhibited his work and conducted pottery demonstrations. His educational journey includes studies at the Haystack School of Crafts and Penland School. Additionally, Evan gained practical experience as a production potter in Texas. His work has been exhibited widely, both internationally and across the United States.

  • Zach Dunn

    Zach Dunn was born in Boston and grew up in Connecticut. Zach Dunn received his Master of Fine Arts from Syracuse University and his BA in economics from The College of William and Mary in Virginia. After undergrad, he became a studio assistant at the Arrowmont School of Arts and Crafts in Gatlinburg, Tennessee. He departed the Smokey Mountains of TN for the Blue Ridge Mountains of Floyd, Virginia to become Richard Hensley and Donna Polseno's studio apprentice for two years. He left Floyd to attend graduate school in Syracuse. After graduating with his MFA, he taught courses in sculpture and ceramics as an adjunct professor at Le Moyne College before relocating to Michigan to begin teaching as an Assistant Professor in the Department of Art and Design at Adrian College where he became chair of the Department.

  • Riley Sean McGee

    Riley Sean McGee was born and raised in Sonoma, California. Many of his formative experiences were found in exploring both the gentle hills and valleys of home, and the intensely rugged wilderness of the West. His family valued travel, and he has continued wandering, finding quiet corners and the potters often in them, from gold rush tailings in the Sierra foothills, and as far from home as Al Faiyum, Avanos, Shigaraki, and Ulaanbaatar. He followed a self directed path in education, eventually studying wood fired ceramics with Marc Lancet, working in ceramic supply, and establishing a studio. He has fired with Scott Parrady, Dick Hotchkiss, Mitch Iburg, Jody Johnstone, Jeff Shapiro, Jack Troy, and Trevor Youngberg.

  • Mandy Henson Wasserman

    Mandy Henson, originally from England, developed a deep passion for art and design during her formative years. She pursued her artistic journey at esteemed institutions, earning a BFA in Fine Arts Education from Parsons School of Design and the School of Visual Arts. Furthering her dedication to the arts, she continued her education at Long Island University, where she obtained her Masters in Fine Arts. Mandy's artistic perspective has been enriched by her diverse experiences. Born in England, she later spent a decade living in Australia, where she was surrounded by renowned artists who influenced her creative development.

  • Mike Perham

    Mike Perham, a graduate of Southern Connecticut State University with a Bachelor of Science in Ceramics and a minor in Art History, is the founder of Wet Clay Works. Based in New Haven, Connecticut, his ceramics practice is centered around the unique properties of atmospheric wood-firing and its influence on organic shapes. His work highlights the creation of complex, emotive forms with intentional use of negative space. Based in New Haven Connecticut, Mike’s sculptures examine the tangible nature of clay and its role as a medium. His work seeks to bridge the gap between permanence and change, transforming the mundane with an eye- opening energy that allows the viewer to explore the idea of beauty in new ways.

  • Dan Christoffel

    Dan Christoffel is an internationally exhibited American artist and board member of the Art League of Long Island, as well as a guest lecturer at the Metropolitan Museum of Art. Former positions of his include president of the Long Island Art Teachers Association as well as curator for the partnership for Cultural Development at the Chelsea Center in Muttontown. Christoffel earned the Long Island Supervisors “Lifetime Achievement Award” from Adelphi University, and was named Teacher of the Year by a number of organizations including the Long Island Art Teachers Association, the Parent Teacher Student Association, the Kiwanis Club, and the Bellmore-Merrick school district.

  • Sophie Kang Min Yoon

    Sophie K. Yoon is a first generation Korean-American ceramic artist from Queens, NY. She received her BA in art education with a studio art concentration in ceramics from CUNY Queen College. Subsequently she created an arts therapy program and taught art within the NYC public school system and has taught and assisted workshops in ceramics at numerous studios in the metropolitan area. She has been employed as a ceramics technician, studio manager, and production potter at several studios throughout New York, she has also been an administrative coordinator for a non-profit art gallery in the city.

  • Kiichi Takeuchi

    Kiichi Takeuchi has a BS and MS in Computer Science from Long Island University. After developing apps and software for 23 years, Kiichi decided to become a BFA student in order to pursue studying ceramic art in 2022. He is also in charge of maintaining and leading the study group of a 3-D printer at the Craft Center. Kiichi actively participates in Wood Firing and Kiln building at Trevor Youngberg's Anagama in Connecticut. His wood-fired whiskey cups are exhibited at the Del Ray Artisans National Ceramic Show in VA, and his presentation proposal about 3-D printers has been accepted for NCECA 2023 and 2024.

New Collection

Discover a world of creativity and inspiration in our online art store. Here, each piece tells a unique story, crafted by skilled artists who pour their passion and expertise into every work.

Anagama Kiln History

Meaning cave-kiln, anagama kiln design originated in Korea in medieval times. These kilns were dug into hillsides of clay. The front end of the “cave” served as the firebox which consumed large amounts of cord-wood each firing. A tunnel-opening at the tail of the “cave” or ware-chamber led to daylight, effectively serving as the chimney. The result being the creation of a strong enough draft to gasify the wood-fuel. Hundreds of pots filled the chamber area between the firebox and chimney. Through the process of firing, the cave-kiln’s clay walls hardened and served potters for many firings. Eventually, the kilns would begin to disintegrate and, in some cases, new ones were dug out of the hill adjacent to the previous kiln.

Photo Credits: Derek Gillis

Wood combustion in these kilns yield temperatures in excess of 2400F and are, to this day, achieved in order to both vitrify (fully harden) the stoneware and porcelain vessels and melt the copious amounts of fly-ash into natural ash glaze on the surfaces of the wares. Additionally, salt-gasses of potassium and sodium travel throughout the kiln-chamber. These gasses interact with clay’s impurities such as iron, creating “flashing” which is the mark of the flame as it converses with clay objects on its journey to the chimney.

Anagama kiln design was adopted by Japanese peasant potters and in the Middle Ages. Once the unique kiln-effects were discovered and admired by Japanese tea masters, the monks prescribed anagama-kiln wares for use in the production of Japanese tea ceremony vessels. A pairing that propelled the surfaces found on the utilitarian ceramics of peasant potters into the realm of fine art.

We practice wood-firing today as an international art form. Potters around the world have developed a vast array of methods in harnessing flame’s creative properties. Kiln design, firing technique, wood-fuel selection, clay-body formulas and making styles only begin to hint at the potential variables presented to us as ceramic artists. While we practice a method that is largely unchanged since the 13th century; somehow, our works reflect our place in time. Wood-firing today is as fresh and exciting as ever.

New England Wood Firing Conference 2023 Photography by Derek Gillis